Music
Kryptoboi Releases ‘Kreepy D’ EP, Opens Up on Heartbreak at Lagos Listening Party
Fast-rising Nigerian singer Kryptoboi has unveiled his new extended play, Kreepy D, describing it as the most emotionally honest project of his career.
The six-track EP was introduced at an intimate listening party held on Friday, 9 January 2026, at Rosetree Lounge on Jonathan Coker Road, Fagba, Lagos State.
Why this matters
At a time when much of mainstream Afrobeats focuses on celebration and escapism, Kreepy D leans into vulnerability.
The project reflects a growing shift among young Nigerian artistes using music to explore mental health, emotional recovery and personal identity.
‘This is the dark side of my story’
Speaking with our correspondent at the event, Kryptoboi, whose real name is Ayomide Moses, said music remains his safest outlet for emotional expression.
“Personally, I’m someone that does not like to talk about my emotions,” he said.
“The best way I come off it is through music, especially the dark part of my story.”
He explained that the EP draws from lived experiences.
“Heartbreak, betrayals, envy and life struggles that’s what came forth in this EP,” he said.
“We are all looking for that safe space to heal from something.”
Inside the EP
Kreepy D is a six-track project that moves from introspection to emotional release.
The EP tracklist includes:
1. Intro
2. Way featuring Dr Jazz
3. Gone (a charge-up song)
4. Solitude
5. Lonely
6. Broken Rhythm
Music critics at the event described the sequencing as deliberate, guiding listeners through grief, isolation and gradual emotional clarity.
A clearer artistic direction
Unlike his earlier releases, Kryptoboi said Kreepy D was created with a defined creative direction.
“Before now, I was just doing what came to my mind,” he said.
“But this EP comes with a direction.”
He credited his producer and manager, Dr Jazz, for helping him refine his sound and narrative.
“He said we should tell a story with the music and understand my sound in a productive way,” Kryptoboi added.
Genre and sound
Kryptoboi describes himself as an Afropop artist with a global influence.
“I do Afro, but it sounds foreign,” he said.
“It’s like infusing pop into Afro.”
Industry observers say this hybrid sound reflects the ambitions of emerging Nigerian artistes seeking cross-border appeal.
Why Rosetree Lounge
The singer said Rosetree Lounge was chosen because of a personal connection with the space.
“I met the owner without even knowing who he was,” he recalled.
“He welcomed me as an artist without expectations.”
He said the listening party felt effortless.
“When we came here, it was easy. It felt like they were waiting for us.”
‘I want them to feel my therapy’
Kryptoboi said the event was designed to expose fans to a more vulnerable version of himself.
“I want them to hear my therapy through my sound,” he said.
“People see the bright side of me, but this project shows another side.”
Audience members were seen reacting emotionally and vibing during playback of tracks such as Lonely and Broken Rhythm.
Challenges behind the project
Funding and time constraints were major challenges during production.
“The number one issue is always money,” Kryptoboi said.
“I thank God for my manager, Dr Jazz. He came through for me in ways I can’t explain.”
He also revealed health struggles during the recording period.
“At some point I broke down. I was ill and couldn’t even sing,” he said.
Producer’s insight
Producer and manager Dr Jazz said the EP was the result of years of creative collaboration.
“Every time we’re together, we create magic,” he said.
“There’s so much we’ve made over the years, so we decided to put this body of work out.”
He said he was eager to observe audience reactions.
“I look forward to genuine responses from the people,” he added.
Industry and public reaction
Music promoters and creatives at the listening party described Kreepy D as a bold and necessary project.
They say emotionally driven music is increasingly resonating with young Nigerians facing social pressure, heartbreak and economic uncertainty.
What’s next for Kryptoboi
Kryptoboi said the listening party marks the beginning of a wider promotional rollout.
“It’s time to disturb the world with my sound,” he said.
“I’m tired of being in the shadows.”
The EP is now available on all major streaming platforms.
Collaborations and ambitions
Kryptoboi has previously collaborated with Dr Jazz, Sam K, OJ, 2Fresh and For3yn.
He said the fast-rising and upcoming artistes he hopes to work with next include SemK, Victor Henry, Jardinni, For3yn, and Dr Jazz.
Looking further ahead, he named Oxlade, Joeboy and Fireboy as dream collaborators, alongside global stars such as Davido, Wizkid, Burna Boy and Chris Brown.
“Chris Brown is my number one role model,” he said.
“He dances, I dance. I want to work with him.”
Beyond music
Outside the studio, Kryptoboi said he relaxes by watching movies.
He also works as a producer, sound engineer and church singer.
“Everything still falls under music,” he said.
Red Carpet Moment Below;
Music
The Grammys Validate What the Streets Always Knew: Dagrin’s “Pon Pon Pon” Is the Eternal Anthem of Afro-Street Rap
In a landmark nod to Nigerian rap heritage, the Recording Academy, organizers of the prestigious GRAMMY Awards has officially recognized late rapper Dagrin’s iconic track “Pon Pon Pon” as one of the Top 10 songs shaping the evolution of Afrobeats. This rare inclusion of a rap song in a predominantly Afropop list is not just an honor; it’s a historic affirmation of Afro-Street Rap’s legitimacy on the global stage.
For fans, this isn’t just industry validation. It’s an overdue coronation of a street legend.
“Pon Pon Pon” is more than just a rap song. It’s a cultural artifact. It’s the raw, unfiltered audio-documentary of life in Lagos, delivered with a gritty realism and lyrical dexterity that redefined what was possible in Nigerian music.
The Street-Hardened Sound That Shook the System
Born Oladapo Olaitan Olaonipekun, Dagrin burst onto the music scene with a voice that echoed the lived experiences of millions. He wasn’t just spitting bars—he was telling authentic stories of survival, hustle, and hope. He made Yoruba the language of hip-hop power, “grabbed the mainstream by the collar,” and forced it to respect the vibrance of street culture.
With vivid storytelling, heavy Lagos slang, and a beat that was both traditional and futuristic, “Pon Pon Pon” quickly became more than a song—it became a movement. Today, more than a decade after his tragic passing in 2010, it continues to inspire a new generation of artists and listeners alike.
DMCE: The Quiet Guardian of Dagrin’s Legacy
Behind this enduring legacy lies the unsung work of Digital Music Commerce and Exchange Limited (DMCE), the powerhouse quietly preserving and advancing Dagrin’s music in the digital age.
Led by General Manager Ezekiel Olayinka, DMCE—a full-service company specializing in catalog administration, IP valuation, rights management, and copyright clearing—stepped in to safeguard Dagrin’s fragmented and exploited catalog following his death.
“We secured the proper documentation from the Lagos State Probate Registry,” said Olayinka. “From there, we were able to reclaim his works from unauthorized users and ensure the Estate received rightful control.”
Within just one year, DMCE had retrieved Dagrin’s scattered catalog and begun its restoration. But they didn’t stop there.
From Preservation to Global Recognition
In a major move, DMCE brokered a landmark publishing deal with Sony Music Publishing Nigeria on behalf of Dagrin’s Estate. This alliance not only guarantees international access to his music but also ignited an innovative collaboration titled the “Legend Sampling Camp” in August 2024.
The camp brought together contemporary artists to reinterpret works from musical icons including Dagrin, K1 De Ultimate, King Dr. Saheed Osupa, and Chief Dr. Sikiru Ayinde Barrister (MFR)—all represented by DMCE.
This act of sampling isn’t about nostalgia; it’s about keeping the flame of indigenous music burning bright, inspiring a sonic evolution that bridges the past and the future.
Dagrin Lives On—in Beats, Bars, and Breakthroughs
This recognition by the GRAMMYs is a global salute to Dagrin’s genius, but more importantly, it underlines the power of authentic storytelling and indigenous representation in music.
“The enduring flame of his legacy is kept alive by the dedicated efforts of his family and partners like DMCE, who ensure that the King of Afro-Street Rap and Indigenous Rap is never forgotten.”
As Afro-Street Rap gains momentum globally, Dagrin’s pioneering work remains the blueprint for many. His music isn’t just relevant—it’s essential.
So if you haven’t yet, go stream “Pon Pon Pon” today. Let the bars hit you like they did in 2009. Let the voice of the streets speak again.
Akogun lives.
Afrobeat has a fresh new voice in Ernest Abitih, widely known as X-Shai, a talented Ghanaian-Nigerian-American musician whose unique sound is shaking up the global music scene. Singing since his childhood, X-Shai blends passion, soul, and rhythm into every note, drawing comparisons to Afrobeat icons like Burna Boy, Oxlade, and Ruger.
In early 2024, X-Shai launched his debut album, Love Perfect, which has already begun making waves across Africa. Featuring chart-worthy tracks such as G.Y.L.I.M., Crush, and the title song Love Perfect, the album is a testament to his artistry and authentic storytelling. With its powerful mix of Afrobeat energy and heartfelt lyrics, X-Shai’s music connects deeply with listeners.
His hard work and creativity have not gone unnoticed.
X-Shai recently clinched the Best New Diaspora Afrobeat Musician award at the prestigious TM News Summit & Awards. Reflecting on this milestone, he expressed gratitude for the recognition while hinting at bigger plans ahead:
“I have numerous exciting projects lined up, with official releases coming soon.”
Fans across East and West Africa can look forward to his upcoming media tour, where X-Shai will introduce his music to wider audiences and further cement his reputation as one of Afrobeat’s rising stars.
For those yet to experience his magic, X-Shai invites everyone to connect via his social media platforms: Instagram, TikTok, and Facebook @loveiamxshai. You can also stream his tracks and watch his official music video on YouTube here: https://youtu.be/KYA6mBM8sQY.
“Your unwavering support means the world,” he shares with his fans. “Stay tuned, the future is bright for X-Shai, and the world is about to feel the power of his music!”
BigBeth TV, a leading entertainment platform, hosted a press conference to introduce its latest musical sensation, Chetawomilon Daniel Vundabo, musically known as King Vuduo. The event showcased the talents of King Vuduo highlighting his journey to stardom.
Mr. Beth Egenti, CEO of BigBeth TV, welcomed guests, saying, “I’m here to welcome you all to our first-ever press conference. I have my team and my musical artist, King Vuduo, with me today. His music is something to behold.”
King Vuduo, a Mass Communication graduate and Abuja native, shared his musical journey: “I dabble into all aspects of music, but Afrobeat is my stronghold. I’m flexible, and I play the guitar. I like getting my hands busy.”
On his experience in the music industry, King Vuduo noted, “Creatively, I’ve had an easy experience, but penetrating the industry has been challenging. I have a creative space at home, and my family manages my in-house record label.”
King Vuduo advised the government to “fix themselves” for the benefit of the Nigerian music industry.
He noted that his inspiration is drawn from his emotions, aiming to convey messages through his music.
Mr. Beth Egenti praised King Vuduo, saying, “With proper arrangement and packaging, the sky won’t be his limit, but his starting point. He has the swag and technical know-how.”
Mr. Beth Egenti further revealed his dream for the artist saying, “My musical artist will be heard everywhere within three months.”
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