Rite Foods Limited has reinforced its support for cultural heritage preservation by sponsoring the 2026 Ojude Oba Festival in Ogun State, where thousands of attendees gathered to celebrate Ijebu culture and honour the legacy of the late Awujale of Ijebu-land, Oba Sikiru Kayode Adetona.

The food and beverage company used the annual cultural gathering to engage festival-goers with its range of products while highlighting its long-standing ties to Ijebu-land.

The festival, widely regarded as one of Nigeria’s most prominent cultural events, drew participants from across the country and the diaspora to Ijebu Ode, showcasing traditional fashion, horse-riding displays, music, and community celebrations.

Why It Matters

Ojude Oba has evolved beyond a cultural festival into a major tourism and economic event, attracting visitors, businesses, and government officials each year.

The 2026 edition carried added significance as it celebrated the life and contributions of the late Awujale, whose leadership helped elevate the status of Ijebu-land nationally and internationally.

Corporate sponsorships such as Rite Foods’ involvement have become increasingly important in supporting the growth and visibility of the festival while creating opportunities for local businesses and tourism-related activities.

Rite Foods Reaffirms Commitment to Ijebu Heritage

Speaking during the event, Rite Foods Managing Director, Seleem Adegunwa, said the company’s support reflects its commitment to preserving the cultural values of the Ijebu people.

“The Ojude Oba Festival represents unity, heritage, and community spirit. As a proudly Nigerian company with deep roots in Ijebu-land through our operations in Ososa, we remain committed to supporting initiatives that preserve our culture and strengthen the bonds that connect our people.”

According to Adegunwa, the company’s relationship with Ijebu-land extends beyond commercial interests and reflects a shared commitment to community development and cultural continuity.

Festival Celebrates Legacy of Late Awujale

Themed “Ojude Oba 2026: Celebrating the Legacy of Oba Sikiru Kayode Adetona,” the event paid tribute to the monarch’s decades of service and influence.

The late Awujale was widely respected for championing education, development, and unity in Ijebu-land, helping transform the annual festival into a globally recognised cultural attraction.

Observers noted that this year’s celebration carried a strong emotional significance for many attendees who gathered to honour his memory.

Fearless Energy Drink Brand Aligns with Festival Spirit

Also speaking at the event, Brand Manager for Fearless Energy Drink, Olaniyi Aderuku, said the company’s connection with the people of Ijebu-land is rooted in shared values.

“Our connection with Ijebu-land is built on shared values and mutual growth. We believe in celebrating the identity of the people and contributing meaningfully to the preservation of their cultural heritage.”

He added that the values promoted by the Fearless brand closely mirror the character of the festival.

“Ojude Oba embodies fearlessness in many forms—from its spectacular fashion and horsemanship displays to the creativity, confidence, and pride of a people who continue to honour their heritage while embracing the future.”

Entertainment, Consumer Engagement Draw Crowds

One of the major attractions at the festival was the Rite Foods activation pavilion, where visitors sampled products including Bigi soft drinks, Bigi Premium Drinking Water, Sosa Fruit Drink, Fearless Energy Drink, and the company’s sausage products.

Festival-goers also witnessed energetic dance performances by the company’s activation team, adding to the festive atmosphere and drawing large crowds throughout the event.

Industry analysts say experiential marketing at cultural festivals has become a key strategy for consumer brands seeking to strengthen relationships with customers while supporting local traditions.

Ogun Governor Highlights Tourism and Economic Benefits

Ogun State Governor Dapo Abiodun praised the organisers, participating Regberegbe groups, and corporate sponsors for contributing to the festival’s success.

He also commended the Minister of Art, Culture, Tourism and Creative Economy, Hannatu Musa Musawa, for efforts aimed at strengthening Nigeria’s tourism sector.

Governor Abiodun described Ojude Oba as a symbol of religious harmony and communal unity.

“The people of Ijebu-land deserve commendation for their unity, resilience, and commitment to preserving our rich cultural heritage for future generations.”

The governor said the festival continues to create opportunities for tourism growth, cultural promotion, and economic development across Ogun State.

Industry Perspective

Cultural tourism experts have increasingly identified festivals such as Ojude Oba as important drivers of local economies, generating revenue for hotels, transport operators, artisans, food vendors, and small businesses.

The continued participation of major Nigerian brands reflects the growing commercial value of cultural tourism and its potential contribution to national economic growth.

What Happens Next?

Organisers are expected to begin preparations for the 2027 edition as stakeholders seek to build on the momentum of this year’s celebration.

With increasing local and international attention, Ojude Oba is likely to remain one of Nigeria’s leading platforms for showcasing culture, tourism, and community identity.

As corporate and government support continues to grow, the festival’s influence on cultural preservation and economic development is expected to expand further in the years ahead.

The Eko Tourism Foundation has strengthened ties with the Yemisi Shyllon Museum of Art and Pan-Atlantic University in a move aimed at boosting Lagos State’s ambition to become a leading global cultural tourism destination.

During a strategic visit to the museum on 11 May 2026, senior tourism, education and cultural stakeholders highlighted the growing role of museums, heritage institutions and universities in shaping Nigeria’s tourism economy.

The delegation was led by former Minister of Information and Culture, Lai Mohammed, who chairs the Board of Trustees of the Eko Tourism Foundation.

They were received by Pan-Atlantic University Vice-Chancellor Enase Okonedo, museum founder Yemisi Shyllon, and museum director Jess Castellote.

Why the visit matters

The visit comes as Lagos seeks to diversify its economy beyond commerce and entertainment by investing more heavily in arts, culture and heritage tourism.

Located within the rapidly developing Ibeju-Lekki corridor, the Yemisi Shyllon Museum of Art has become one of Nigeria’s most prominent cultural institutions since opening in 2019 as the country’s first purpose-built private university museum.

Officials say the museum’s growing international profile could help attract visitors, researchers and cultural investors to Lagos.

The visit included presentations on the museum’s educational programmes, a documentary screening focused on its work within surrounding communities, and a guided tour of its collections.

Lai Mohammed also donated copies of his book, Headlines & Soundbites: Media Moments that Defined an Administration, to the university library.

Museums ‘now strategic drivers of tourism’

Museum director Jess Castellote said the engagement reflected a changing perception of museums in Nigeria.

“This visit by the Eko Tourism Foundation reflects an important shift in how museums are increasingly recognised, not only as cultural institutions, but as strategic drivers of tourism, education, and national identity,” he said.

He added that the museum was founded to preserve Nigerian art while making it more accessible through public learning and engagement.

Vice-Chancellor Enase Okonedo said universities must play a broader role in national development.

“The Yemisi Shyllon Museum of Art embodies that commitment by serving as a centre for education, cultural preservation, and community engagement,” she said.

“Collaborations and visits of this nature strengthen the role of both the university and the museum within the wider vision of Lagos as a globally competitive cultural capital.”

Lai Mohammed: ‘Tourism thrives on identity’

Speaking during the visit, Lai Mohammed said culture remains central to sustainable tourism development.

“Tourism thrives on identity, memory, and authentic experiences, and institutions like the Yemisi Shyllon Museum of Art are central to that vision,” he said.

“Lagos cannot aspire to global cultural relevance without investing in and promoting places that preserve our stories, celebrate our creativity, and project the richness of our heritage to the world.”

He described the museum as a destination capable of reshaping international perceptions of Lagos and Nigeria.

The bigger picture for Lagos

Nigeria’s tourism and creative sectors have increasingly gained attention from policymakers seeking new sources of economic growth and international visibility.

Industry analysts say cultural tourism could create jobs across hospitality, transportation, entertainment and the creative industries if backed by sustained investment and infrastructure.

The collaboration between tourism authorities, universities and museums also reflects broader efforts to preserve Nigerian heritage while expanding cultural education for younger audiences.

Observers say institutions such as the Yemisi Shyllon Museum of Art could become central to positioning Lagos as a cultural gateway for West Africa.

What’s next?

Stakeholders at the event stressed the need for stronger partnerships between government agencies, educational institutions, museums and the creative industry.

The Eko Tourism Foundation’s engagement with the museum is expected to encourage further collaboration around tourism promotion, heritage preservation and cultural education initiatives in Lagos.

For the Yemisi Shyllon Museum of Art, the visit marks another step in its ambition to become a globally recognised cultural destination.

Thousands of spectators gathered at the Ondo State Sports Stadium on 2 May 2026 for what organisers described as the first-ever World Kolokun, a goat-chasing competition introduced as part of the annual Asun Carnival in Ondo State.

The event, founded by tourism promoter and businessman Olawanle Akinboboye, featured male and female contestants racing after goats released onto the stadium pitch, with winners taking home goats valued at ₦150,000.

Organisers say the competition was designed to promote youth engagement, entertainment, tourism, and local economic activity.

Why the Competition Matters

The Kolokun event was one of the major attractions of the Asun Carnival, an annual cultural festival linked to Ondo’s popular spicy smoked goat meat delicacy known as Asun.

Speaking during a press conference before the event, Otunba Akinboboye said the idea was inspired by a desire to transform goats from “mere consumption” into a form of sporting entertainment.

“Goats are not only for consumption but can also serve as a source of entertainment,” he said.

He added that the event could help create commercial opportunities in livestock rearing, tourism, hospitality, and food vending across Ondo State.

Thousands Watch as Contestants Chase Goats

According to organisers, more than 40,000 people attended the event at the stadium.

Contestants lined up on one side of the pitch while goats were released several metres ahead, triggering a sprint across the field as competitors attempted to catch them.

Spectators reportedly cheered loudly as the animals dodged and changed direction during the chase.

The winners of the competition were:

Akinnifesi Temidayo — Male Category

Precious Ngozi — Female Category

The children’s category was later cancelled, organisers said.

Photos from the event showed winners carrying goats on their shoulders as they celebrated before dignitaries and guests.

Economic Opportunities and Tourism Push

Organisers believe the event could boost tourism and small businesses in Ondo State if expanded in future editions.

Otunba Akinboboye said next year’s edition could attract more than 100,000 visitors, with plans to increase the number of goats used in the competition from 10 to 20.

“The prized reward may be bigger next year,” he said.

He also called on hotel owners, food vendors, and local businesses to prepare for larger crowds during future carnivals.

The organiser argued that the event could encourage commercial goat farming while creating opportunities for food sellers and hospitality operators during the carnival period.

Comparisons With Spain’s Running of the Bulls

Akinboboye compared the emerging Ondo spectacle to Spain’s internationally recognised Running of the Bulls during the San Fermín Festival.

“The Kolokun competition in Ondo will certainly become a bigger event comparable to the Running of the Bulls soonest,” he said.

While the Spanish event involves participants running ahead of bulls through city streets, Kolokun focuses on chasing goats inside a controlled stadium environment.

Tourism analysts say unique cultural festivals can help attract domestic tourism and international attention if properly organised and promoted.

Public Reactions and Industry Perspective

Some attendees described the event as entertaining and culturally unique, while others viewed it as an innovative way to combine sports, tourism, and local tradition.

Tourism stakeholders say festivals tied to local identity often help stimulate local economies through transport, accommodation, food sales, and media attention.

Cultural events across Nigeria have increasingly become tools for states seeking to diversify revenue beyond federal allocations and oil income.

What’s Next for Kolokun?

Organisers say preparations for the 2027 edition of the Asun Carnival and Kolokun competition are already underway.

Plans include:

Expanding crowd capacity

Increasing vendor participation

Attracting sponsors

Improving tourism promotion

Increasing prize rewards

Whether Kolokun develops into a globally recognised attraction remains uncertain, but the debut event has already generated significant attention online and within Nigeria’s tourism sector.